I'm feeling a little myopic posting about my struggle with my creative process again when the world struggles in so much pain, unrest and
violence. And it seems that those of us
on a “spiritual path” can sometimes get cloistered and self-absorbed in this
way, as if we don’t see anything but our own path, our own struggle. Partly
that is true… And partly everything
begins to be seen in context, within the context of the Divine Drama that is
being played out here, that we are all a part of whether we realize it or not. And so I speak of my experience with the
creative process as part of the Divine Drama, as it seems a universal metaphor….
I am still “struggling” with this new creative
process - although that is too strong a word. I’m experiencing the creative tension between
spontaneity and limitation, as Rollo May calls it. I’ve been trying to pin-point what it is that
I am “struggling” with or against, resisting and avoiding – and why… For some reason what I paint and how I paint
doesn’t feel like - me – my essential Self – doesn’t feel like it’s coming from
an open, authentic place… Maybe that’s
what happens when one steps outside their comfort zone, and explores something
new, one contracts - at first, even when one wants to open to the process. But
maybe I should speak for myself.
What I want most is that which is Real in me to emerge – the Essence, Spirit – to express ItSelf – on canvas. Instead, I feel like a sea anemone on a rock at the shore at low tide - vulnerable. When being poked and prodded by a curious inquisitor - it closes. I continue to feel like I am *trying* to paint, instead of being curious and playful and allowing – although I had a somewhat surprising breakthrough with that today. But I’m still painting from my conceptual mind that wants to know what to do and how to do it and where it is going and how it will turn out – afraid to risk… Painting does not flow naturally from somewhere deep within as I had anticipated it would, like it did when I “painted” with Craypas oil sticks. As one dimensional as that was, I felt connected to something beyond my self… It is safe to say that I have not found that Rhythm with laying paint on canvas – yet… I anticipate that will happen. But it seems I have hit my edge early on…
What I want most is that which is Real in me to emerge – the Essence, Spirit – to express ItSelf – on canvas. Instead, I feel like a sea anemone on a rock at the shore at low tide - vulnerable. When being poked and prodded by a curious inquisitor - it closes. I continue to feel like I am *trying* to paint, instead of being curious and playful and allowing – although I had a somewhat surprising breakthrough with that today. But I’m still painting from my conceptual mind that wants to know what to do and how to do it and where it is going and how it will turn out – afraid to risk… Painting does not flow naturally from somewhere deep within as I had anticipated it would, like it did when I “painted” with Craypas oil sticks. As one dimensional as that was, I felt connected to something beyond my self… It is safe to say that I have not found that Rhythm with laying paint on canvas – yet… I anticipate that will happen. But it seems I have hit my edge early on…
I expected everything would just flow easily, that
art would be a vehicle to tap into that deep space of Inspiration – that deep
well of Inner Beingness that *wants* to express, to create… But I’m still waiting for that authentic
expression to emerge – although I am beginning to see glimpses of it. I realize that this is all part of the process
– awareness of what’s going on internally, noticing how I approach creativity -
and life: with anxiety, with a sense of fragmentation, vulnerability and
protectiveness – which can only come from a fragmented mind; a mind set of
separateness and alienation from the wholeness of my Self – and life - and
“other.” It gets reflected in the
creative process – art reflecting life…
In that sense it has been an eye opener, and I need a different lens in
order to see through the veil of separateness and fragmentation that causes so
much unrest in “the system” - both individually and universally… When we see life with a sense of separateness
there is unrest, frustration, confusion, and struggle…
I read from Llewellyn Vaughan-Lee’s book (Fragments
of a Love Story) one morning this week where he refers to a story he wrote
several years ago about his spiritual journey.
He says: “it (the journey) is fundamentally the story of a fragmented
self struggling to find something, to uncover and claim a deeper meaning. But – it is also the Divine story (however
you call the Ineffable), finding ways to bring ItSelf into consciousness.” Interesting... The Divine Drama *is* our story... And our "story" is the Divine Drama...
What a paradox this art work is – adding layers of paint to a canvas, waiting for “The Mystery” to reveal ItSelf, while at the same time “uncovering” layers within myself that keep me from seeing “The Mystery” that is there… For some reason that resonated with me as the “struggle” I am having with the creative process, which reflects the universal struggle with life - uncovering the layers of conditioning in order to see the Real within...
What a paradox this art work is – adding layers of paint to a canvas, waiting for “The Mystery” to reveal ItSelf, while at the same time “uncovering” layers within myself that keep me from seeing “The Mystery” that is there… For some reason that resonated with me as the “struggle” I am having with the creative process, which reflects the universal struggle with life - uncovering the layers of conditioning in order to see the Real within...
The ego-mind is beginning to lose its moorings –
which is actually a good thing - but is also creating this struggle to maintain
its hold, its grip on the process… But what is there to struggle about? After all it’s really the Divine Drama playing
ItSelf out, whether on canvas or in life. The mind
evidently doesn’t know this.
“The
real mystery
is how IT unveils ItSelf
within us;
how the Beloved
makes ItSelf known
to ItSelf
in the fragile container
of the human being.
And in the midst of
the Divine Drama
there is a human story
to be told.
But it’s all ‘God’s’ story
being lived in human form.”
is how IT unveils ItSelf
within us;
how the Beloved
makes ItSelf known
to ItSelf
in the fragile container
of the human being.
And in the midst of
the Divine Drama
there is a human story
to be told.
But it’s all ‘God’s’ story
being lived in human form.”
Llewellyn
Vaughan-Lee
From: Fragments of a Love Story
From: Fragments of a Love Story
Note:
When Vaughan-Lee speaks of “God”
he is
speaking of the Nameless, all-pervasive
Mystery that is everywhere, at all times,
not a persona or image we have of ‘God’
separate from us that we normally associate
with the word…
Mystery that is everywhere, at all times,
not a persona or image we have of ‘God’
separate from us that we normally associate
with the word…
Photo:
Just a little corner piece of a painting I’m working on…
If you are curious about the e-course I am taking,
it is Bloom True with Artist Flora Bowley.
It is a wonderful course, presented very well.
My "struggles" with the *process* are not a reflection
on the course, but of my own internal process.
it is Bloom True with Artist Flora Bowley.
It is a wonderful course, presented very well.
My "struggles" with the *process* are not a reflection
on the course, but of my own internal process.





















